![]() ![]() Resolve is designed for teams to collaborate on a project. Automation has been improved you can record any parameter change over time, and when you trim or move any clip, the automation will follow your edit, meaning last-minute edits won’t damage the mix. It’s much more powerful than before, able to mix 2,000 tracks in real time, and has new keyboard shortcuts that make the process faster. If I was in a relationship that was as frustrating as my relationship with Adobe, I’d have left them for dead and married Resolve long ago.Resolve’s color tools enable fine-tuned grading (Image credit: DaVinci Resolve)įairlight, the audio editing workspace, has received its biggest update yet. DaVinci Resolve Vs Premiere Pro Debate – Who Wins? In a nutshell, Resolve is just way better thought out. I’m not there just yet (especially with Fusion) but it’s definitely worth it. If you are in the process of switching please stick with it. Once you get your head around the differences you realise how wrong Adobe have got it, but to get to that stage you do end up hating Resolve (just not as much as Premiere). Certain fonts don’t work in Fusion and it’s a huge learning curve. What’s different then? So far, there are no bugs, media is organised better, it’s way faster, it is far prettier, colour grading is better, it doesn’t stall and it doesn’t cost me £50 per month. ![]() The problem with Resolve is there are just so many tools and ways to do things it’s hard to narrow down the best way. I found so many answers that I got the job done quickly and to a very high standard. But today, not long since the cancellation of my Creative Cloud account, I had no choice but to keep searching for how to achieve something. I had been using it for nearly a year but still found myself jumping back to Premiere when I couldn’t get Resolve to behave the way it should. When BlackMagic announced they were dropping the price of DaVinci Resolve and the release of version 14 it was a no-brainer. However, when the machine arrived it turns out that it was not the machine at fault (we have 4 top of the range iMacs), it was the software. The reason I spent nearly £6K on a computer was because I was sick and tired of projects running slow. It’s 2 years old and still an absolute beast. Before going any further with criticizing me setup, I’d like to quickly go over my machine.ĦTB SeaGate Barracuda Hard Drive for media ![]() Well, not on my machine and the medium quality footage I am using (A7Sii and GH4). ![]() I know I know you’re saying that it’s fine on your machine. If you ever want to experience joy and exasperation at the same time I would recommend updating any Adobe product. However, by updating Premiere it would get rid of the old bugs which was great, but in true Adobe fashion, it introduced new bugs as well. Following protocol, I kept it fully up to date. The primary reason I’d given up with Premiere Pro was how buggy it was. Given the poor reviews of it’s replacement and Adobe’s new subscription based service, Creative Cloud, I jumped over to Premiere Pro on the Mac.įast forward to 2017, constant crashing and more bugs than a Majorcan holiday apartment plus a jump back to Windows has persuaded me to move across to DaVinci Resolve 14/15.Īfter 18 months of editing and grading with DaVinci Resolve I feel like I can give a reasonable reason for switching. Thankfully, Final Cut was superfast and worked how I wanted an NLE to work.įast forward to 2011, Apple decide to stop supporting Final Cut Pro. I had a media backup but decided to just take the leap and buy an iMac, a copy of Final Cut and just re-edit (there is no better way to learn software than to just dive right in). That was until my computer decided to crash and wipe my project file and media. I shot and edited a 45 minute zombie flick using it and thought it was awesome. Back in 2003 I chose to use Adobe Premiere as my NLE. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |